{"id":3705,"date":"2021-08-04T13:50:10","date_gmt":"2021-08-04T11:50:10","guid":{"rendered":"https:\/\/ciutatflamenco.com\/edicio-2021\/iii-congres\/"},"modified":"2022-03-09T11:22:11","modified_gmt":"2022-03-09T10:22:11","slug":"iii-congres","status":"publish","type":"page","link":"https:\/\/ciutatflamenco.com\/ca\/edicio-2021\/iii-congres\/","title":{"rendered":"III Congr\u00e9s"},"content":{"rendered":"\n
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III Congr\u00e9s de Flamencologia i Pedagogia Flamenca<\/h1> <\/div>\n<\/div>\n
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\n \"Onda-corta\" \n <\/div>\n \n \n <\/div>\n\n
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23 octubre\u00a0 |\u00a0 Activitat gratu\u00efta
Cercle Art\u00edstic Sant Lluc<\/a>
<\/span>Retransm\u00e8s en streaming a YouTube<\/h2> <\/div>\n<\/div>\n <\/div>\n
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El flamenco no nom\u00e9s es toca, es canta i es balla, tamb\u00e9 s’investiga, s’escriu i s’ensenya. <\/p>\n

El III Congr\u00e9s Internacional de Flamencologia i Pedagogia Flamenca ha creat un espai on investigadors i especialistes de diferents pa\u00efsos dialogaran i debatran sobre tres l\u00ednies tem\u00e0tiques principals: la dansa flamenca, l’etnomusicologia en el flamenco i la pedagogia en el flamenco.<\/p> <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n

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\n \n PON\u00c8NCIES <\/span>\n\n \n \n <\/span>\n <\/h1>\n<\/div>\n\n\n
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\n \n PON\u00c8NCIES <\/span>\n\n \n \n <\/span>\n <\/h2>\n<\/div>\n\n <\/div>\n
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\n \"Onda-corta\" \n <\/div>\n \n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n \n 10:00\u00a0 |\u00a0 Dansa Flamenca <\/span>\n\n \n \n <\/span>\n <\/h2>\n<\/div>\n\n <\/div>\n
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\n \n INSCRIPCI\u00d3 <\/a>\n <\/div>\n <\/div>\n\n\n
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\n \n VEURE EN STREAMING <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n
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MetodologIEs d’investigaci\u00f3 des del flamenco<\/h4> <\/div>\n<\/div>\n\n
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Juan Carlos L\u00e9rida <\/strong>(Barcelona)
<\/strong>Institut del Teatre \u223c<\/strong> Pedagog, core\u00f2graf, int\u00e8rpret i investigador de dansa.<\/p>\n

Salvador S. S\u00e1nchez <\/strong>(Barcelona)
<\/strong>Institut del Teatre \u223c<\/strong>\u00a0Dramaturg, director i investigador esc\u00e8nic. Membre fundador de les companyies Cia Casa Real i La Copla de Wisconsin.<\/p> <\/div>\n<\/div>\n\n

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T\u00f3came las palmas: improvisaci\u00f3 I experimentaci\u00f3 art\u00edstica dInS del Festival Flamenco Emp\u00edrico<\/h4> <\/div>\n<\/div>\n\n
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Carolane Sanchez<\/strong> (Lyon, Fran\u00e7a)
Universit\u00e9 Bourgogne Franche Comt\u00e9 \u223c<\/strong> Doctora en arts esc\u00e8niques. Professora-investigadora en el departament d’Arts Esc\u00e8niques.<\/p> <\/div>\n<\/div>\n\n

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EL que el balL apr\u00c8n de la m\u00fasica. Una ecologIa sonora del flamenco<\/h4> <\/div>\n<\/div>\n\n
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Corinne Frayssinet<\/strong> (Montpellier, Fran\u00e7a)
IReMUS\u2013CNRS\/Universit\u00e9 Paris Sorbonne, RIRRA21\u2013Universit\u00e9 Paul Val\u00e9ry Montpellier\u00a0\u223c<\/strong>\u00a0Etnomusic\u00f2loga, antrop\u00f2loga del ball i doctora en filosofia.<\/p> <\/div>\n<\/div>\n <\/div>\n

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Eva Yerbabuena I l’aflamencament de recursos expresSiUs PRESOS D’ALTRES disciplinEs<\/h4> <\/div>\n<\/div>\n\n
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Sheila del Barrio <\/strong>(Puertollano)
<\/strong>Universidad Complutense de Madrid\u00a0\u223c<\/strong>\u00a0Doctoranda en el Departament de Musicologia.<\/p> <\/div>\n<\/div>\n\n

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BaLlar cante, deconstrucci\u00f3 I estructura<\/h4> <\/div>\n<\/div>\n\n
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Gabriel Vaudagna <\/strong>(Jerez de la Frontera)
<\/strong>UCA programa Flamenco en Red XII \u223c<\/strong> Docent universitari. Cr\u00edtic de dansa i investigador.<\/p> <\/div>\n<\/div>\n\n

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El Baile Flamenco. Una visi\u00f3 des de Cuba<\/h4> <\/div>\n<\/div>\n\n
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Joel Zamora<\/strong> (Cienfuegos, Cuba)
Asociaci\u00f3n Nacional de Pedagogos de Cuba (Membre d’Honor), Uni\u00f3n Nacional de Historiadores de Cuba, Instituto Cubano de la M\u00fasica, Asociaci\u00f3n Cubana de Derechos de Autor Musical, Uni\u00f3n Nacional de Escritores y Artistas de Cuba\u00a0\u223c<\/strong>\u00a0Prol\u00edfer exponent de l’art flamenc a Cuba, m\u00fasic, bailaor, core\u00f2graf, director art\u00edstic i ma\u00eetre. Fundador i director d’una escola de baile a Cuba.<\/p> <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n

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\n \n 12:30\u00a0 |\u00a0 Etnomusicologia en el Flamenco <\/span>\n\n \n \n <\/span>\n <\/h2>\n<\/div>\n\n <\/div>\n
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\n \n INSCRIPCI\u00d3 <\/a>\n <\/div>\n <\/div>\n\n\n
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\n \n VEURE EN STREAMING <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n
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An\u00c0lisi de la influ\u00c8ncia d’Enrique Morente en Rosal\u00eda: paral\u00b7lelismes en el tractament de les textures corals en els \u00e0lbums \u00abLorca\u00bb (1998) i \u00abEl Mal Querer\u00bb (2018)<\/h4>\n <\/div>\n<\/div>\n\n
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Daniel G\u00f3mez<\/strong> (Madrid)
Universidad Complutense de Madrid\u00a0\u223c<\/strong>\u00a0Doctorand. Compositor i director musical.<\/p> <\/div>\n<\/div>\n\n

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L’aportaci\u00f3 del flamenco al feminisme<\/h4> <\/div>\n<\/div>\n\n
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Carolina Le Port<\/strong> (Barcelona)
Escola Superior de M\u00fasica de Catalunya (ESMUC) \u223c Investigadora en Flamencologia. Consultora i assessora d’artistes i projectes culturals. Experta en feminisme i g\u00e8nere. Editora en Cap d’El Canon<\/i>.<\/p> <\/div>\n<\/div>\n\n

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Canaris I flamencs: una aproximaci\u00f3 (etno)musicol\u00d2gica-performativa<\/h4> <\/div>\n<\/div>\n\n
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Paco Bethencourt<\/strong> (Madrid)
Universidad Complutense de Madrid\u00a0\u223c<\/strong> Music\u00f2leg, guitarrista i professor universitari.<\/p> <\/div>\n<\/div>\n <\/div>\n

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Flamenco i ODS<\/h4> <\/div>\n<\/div>\n\n
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Lola Vallesp\u00ed<\/strong>\u00a0(Jerez de la Frontera)
El Soniquete de Lola \u223c<\/strong> Fundadora i\u00a0consultora de Responsabilitat Social Empresarial.<\/p> <\/div>\n<\/div>\n\n

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Una aproximaci\u00f3 al flamenco com a t\u00f2pic nacional espanyol des de la cr\u00f2nica \u00abEspanha\u00bb de Clarice Lispector<\/h4> <\/div>\n<\/div>\n\n
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Clara In\u00e9s Galindo<\/strong> (Jerez de la Frontera)
Universidad de C\u00e1diz \u223c<\/strong> Professional en Estudis Literaris i estudiant del M\u00e0ster en An\u00e0lisi i Investigaci\u00f3 del Flamenco. Col\u00b7laboradora de la Red Cultural Distrito Flamenco de Bogot\u00e1 i investigadora independent sobre el flamenco a Llatinoam\u00e8rica.<\/p> <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n

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\n \n 16:30\u00a0 |\u00a0 Pedagogia en el Flamenco <\/span>\n\n \n \n <\/span>\n <\/h2>\n<\/div>\n\n <\/div>\n
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\n \n INSCRIPCI\u00d3 <\/a>\n <\/div>\n <\/div>\n\n\n
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\n \n VEURE EN STREAMING <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n <\/div>\n <\/div>\n
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El viol\u00ed flamenc: el llenguatge d’int\u00e8rprets actuals<\/h4> <\/div>\n<\/div>\n\n
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Cristina Moya<\/strong> (C\u00f3rdoba)
Universidad de C\u00f3rdoba \u223c<\/strong> Violinista i graduada en Educaci\u00f3 Prim\u00e0ria.<\/p> <\/div>\n<\/div>\n\n

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La transcripci\u00f3 en el Flamenco per a instruments mel\u00f2dics<\/h4> <\/div>\n<\/div>\n\n
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Sim\u00f3n Fern\u00e1ndez<\/strong> (Zaragoza)
Orfe\u00f2 Lleidat\u00e0\u00a0\u223c<\/strong>\u00a0Professor de flauta flamenco-jazz i m\u00fasica moderna.<\/p> <\/div>\n<\/div>\n\n

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Transcripci\u00f3 i an\u00e0lisi de la nana flamenca<\/h4> <\/div>\n<\/div>\n\n
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Guillermo Salinas<\/strong> (C\u00f3rdoba)
Consejer\u00eda de Educaci\u00f3n y Deporte de la Junta de Andaluc\u00eda \u223c<\/strong> Mestre de M\u00fasica, professor superior de Guitarra Flamenca i doctor en Flamenco per la Universidad de Sevilla.<\/p> <\/div>\n<\/div>\n <\/div>\n

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Interdepend\u00e8ncia del toque digital: M\u00e8tode de picat<\/h4> <\/div>\n<\/div>\n\n
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Eduardo Moreira<\/strong> (Boa Vista\/Roraima, Brasil)
Universidad Federal de Roaraima \u223c\u00a0<\/strong>Guitarrista llicenciat en M\u00fasica per la Universidad Federal de Pelotas UFPEL\/RS i M\u00e0ster en Flamenco especialitzat en Interpretaci\u00f3 a l’ESMUC.<\/p> <\/div>\n<\/div>\n\n

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Graus variables i neutres en l’Escala Flamenca<\/h4> <\/div>\n<\/div>\n\n
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\u00c1lvaro Guijarro<\/strong> (Madrid)
Universidad Complutense de Madrid i Real Conservatorio Superior de M\u00fasica de Madrid \u223c<\/strong> Pianista, compositor i doctorand en Musicologia.<\/p> <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n

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\n \n Selecci\u00f3 de pon\u00e8ncies <\/span>\n\n \n \n <\/span>\n <\/h2>\n<\/div>\n\n <\/div>\n <\/div>\n <\/div>\n
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Les pon\u00e8ncies han estat seleccionades mitjan\u00e7ant una convocat\u00f2ria oberta el passat mes de maig\u00a0 [ bases de la convocat\u00f2ria ]<\/a>.\u00a0<\/p>\n

COMIT\u00c8 CIENT\u00cdFIC RESPONSABLE DE LA SELECCI\u00d3:

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  • Catedr\u00e8tica Cristina Cruces Rold\u00e1n<\/b> (Universidad de Sevilla).<\/li>\n
  • Dra. Alicia Gonz\u00e1lez<\/b> (Conservatorio de Granada).<\/li>\n
  • Dr. Diego Garc\u00eda Peinazo<\/b> (Universidad de C\u00f3rdoba).<\/li>\n
  • Dr. Francisco Bethencourt Llobet<\/b> (Universidad Complutense de Madrid).<\/li>\n
  • Dr. Pedro Ordo\u00f1ez <\/b>(Universidad de Granada).<\/li>\n
  • Dr. Norberto Torres<\/b> (Universidad de Almer\u00eda).<\/li>\n
  • Dra. Mar\u00eda Inmaculada Matia Polo<\/b> (Universidad Complutense de Madrid).<\/li>\n
  • Dr. Guillermo Castro<\/b> (ESMUC \u2013 Universidad de C\u00e1diz)<\/li>\n
  • David Leiva<\/b> (Director del Festival i Doctorand Universidad Complutense de Madrid).<\/li>\n<\/ul> <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n
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    \n \"Tablao \n <\/div>\n \n \n <\/div>\n <\/div>\n
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    \n \n Tablao de M\u00fasics <\/span>\n\n \n \n Concert de cloenda <\/span>\n <\/h2>\n<\/div>\n\n\n
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    Emoci\u00f3, joventut i creativitat es trobaran en aquesta formaci\u00f3 que retr\u00e0 un merescut homenatge a les figures que han forjat i han marcat les pautes del flamenco. El repertori est\u00e0 inspirat en els estils m\u00e9s representatius del g\u00e8nere com sole\u00e1s, alegr\u00edas, tangos, seguiriyas, buler\u00edas\u2026<\/p>\n

    Una proposta que ens presenten les futures promeses flamenques de les files del Taller de M\u00fasics.\u00a0<\/p>\n

    Irene Ribas<\/strong>\u00a0\u00b7 cante
    Patricia Garc\u00eda<\/strong>\u00a0\u00b7 cante
    Diego G\u00f3mez<\/strong>\u00a0\u00b7 guitarra
    Pau Dom\u00e8nech\u00a0<\/strong>\u00b7 guitarra
    \u00c1lvaro L\u00f3pez\u00a0<\/strong>\u00b7 caj\u00f3n<\/p> <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n","protected":false},"excerpt":{"rendered":"

    III Congr\u00e9s de Flamencologia i Pedagogia Flamenca<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":3583,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3705","page","type-page","status-publish","hentry","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author",""],"yoast_head":"\nIII Congr\u00e9s - CiutatFlamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ciutatflamenco.com\/ca\/edicio-2021\/iii-congres\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"III Congr\u00e9s\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ciutatflamenco.com\/ca\/edicio-2021\/iii-congres\/\" \/>\n<meta property=\"og:site_name\" content=\"CiutatFlamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ciutatflamenco\/\" \/>\n<meta property=\"article:modified_time\" content=\"2022-03-09T10:22:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ciutatflamenco.com\/wp-content\/uploads\/2021\/03\/Logo_CiutatFlamenco_negro-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"486\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@ciutatflamenco\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/ciutatflamenco.com\\\/ca\\\/edicio-2021\\\/iii-congres\\\/\",\"url\":\"https:\\\/\\\/ciutatflamenco.com\\\/ca\\\/edicio-2021\\\/iii-congres\\\/\",\"name\":\"III Congr\u00e9s - CiutatFlamenco\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/ciutatflamenco.com\\\/ca\\\/#website\"},\"datePublished\":\"2021-08-04T11:50:10+00:00\",\"dateModified\":\"2022-03-09T10:22:11+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/ciutatflamenco.com\\\/ca\\\/edicio-2021\\\/iii-congres\\\/#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/ciutatflamenco.com\\\/ca\\\/edicio-2021\\\/iii-congres\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/ciutatflamenco.com\\\/ca\\\/edicio-2021\\\/iii-congres\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/ciutatflamenco.com\\\/ca\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"EDICI\u00d3 2021\",\"item\":\"https:\\\/\\\/ciutatflamenco.com\\\/ca\\\/edicio-2021\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"III Congr\u00e9s\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/ciutatflamenco.com\\\/ca\\\/#website\",\"url\":\"https:\\\/\\\/ciutatflamenco.com\\\/ca\\\/\",\"name\":\"Ciutat Flamenco\",\"description\":\"Festival de creaci\u00f3n, experimentaci\u00f3n y exhibici\u00f3n de la escena flamenca internacional en Barcelona. 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S\u00e1nchez <\/strong>(Barcelona)<strong><br><\/strong>Institut del Teatre <strong>\u223c<\/strong>\u00a0Dramaturg, director i investigador esc\u00e8nic. Membre fundador de les companyies Cia Casa Real i La Copla de Wisconsin.<\/p>\n<h4>T\u00f3came las palmas: improvisaci\u00f3 I experimentaci\u00f3 art\u00edstica dInS del Festival Flamenco Emp\u00edrico<\/h4>\n<p><strong>Carolane Sanchez<\/strong> (Lyon, Fran\u00e7a)<br>Universit\u00e9 Bourgogne Franche Comt\u00e9 <strong>\u223c<\/strong> Doctora en arts esc\u00e8niques. Professora-investigadora en el departament d'Arts Esc\u00e8niques.<\/p>\n<h4>EL que el balL apr\u00c8n de la m\u00fasica. Una ecologIa sonora del flamenco<\/h4>\n<p><strong>Corinne Frayssinet<\/strong> (Montpellier, Fran\u00e7a)<br>IReMUS\u2013CNRS\/Universit\u00e9 Paris Sorbonne, RIRRA21\u2013Universit\u00e9 Paul Val\u00e9ry Montpellier\u00a0<strong>\u223c<\/strong>\u00a0Etnomusic\u00f2loga, antrop\u00f2loga del ball i doctora en filosofia.<\/p>\n<h4>Eva Yerbabuena I l'aflamencament de recursos expresSiUs PRESOS D'ALTRES disciplinEs<\/h4>\n<p><strong>Sheila del Barrio <\/strong>(Puertollano)<strong><br><\/strong>Universidad Complutense de Madrid\u00a0<strong>\u223c<\/strong>\u00a0Doctoranda en el Departament de Musicologia.<\/p>\n<h4>BaLlar cante, deconstrucci\u00f3 I estructura<\/h4>\n<p><strong>Gabriel Vaudagna <\/strong>(Jerez de la Frontera)<strong><br><\/strong>UCA programa Flamenco en Red XII <strong>\u223c<\/strong> Docent universitari. Cr\u00edtic de dansa i investigador.<\/p>\n<h4>El Baile Flamenco. Una visi\u00f3 des de Cuba<\/h4>\n<p><strong>Joel Zamora<\/strong> (Cienfuegos, Cuba)<br>Asociaci\u00f3n Nacional de Pedagogos de Cuba (Membre d'Honor), Uni\u00f3n Nacional de Historiadores de Cuba, Instituto Cubano de la M\u00fasica, Asociaci\u00f3n Cubana de Derechos de Autor Musical, Uni\u00f3n Nacional de Escritores y Artistas de Cuba\u00a0<strong>\u223c<\/strong>\u00a0Prol\u00edfer exponent de l'art flamenc a Cuba, m\u00fasic, bailaor, core\u00f2graf, director art\u00edstic i ma\u00eetre. Fundador i director d'una escola de baile a Cuba.<\/p>\n<h2>12:30\u00a0 |\u00a0 Etnomusicologia en el Flamenco<br\/><\/h2>\n<a href=\"https:\/\/ciutatflamenco.com\/ca\/edicio-2021\/formulari-2021-ponencies-etnomusicologia\/\" > INSCRIPCI\u00d3 <\/a>\n<a href=\"https:\/\/youtu.be\/R9IpRQ-WDdQ\" target=\"_blank\" rel=\"noopener\"> VEURE EN STREAMING <\/a>\n<h4>An\u00c0lisi de la influ\u00c8ncia d'Enrique Morente en Rosal\u00eda: paral\u00b7lelismes en el tractament de les textures corals en els \u00e0lbums \u00abLorca\u00bb (1998) i \u00abEl Mal Querer\u00bb (2018)<\/h4>\n<p><strong>Daniel G\u00f3mez<\/strong> (Madrid)<br>Universidad Complutense de Madrid\u00a0<strong>\u223c<\/strong>\u00a0Doctorand. Compositor i director musical.<\/p>\n<h4>L'aportaci\u00f3 del flamenco al feminisme<\/h4>\n<p><strong>Carolina Le Port<\/strong> (Barcelona)<br>Escola Superior de M\u00fasica de Catalunya (ESMUC) \u223c Investigadora en Flamencologia. Consultora i assessora d'artistes i projectes culturals. Experta en feminisme i g\u00e8nere. Editora en Cap d'<i>El Canon<\/i>.<\/p>\n<h4>Canaris I flamencs: una aproximaci\u00f3 (etno)musicol\u00d2gica-performativa<\/h4>\n<p><strong>Paco Bethencourt<\/strong> (Madrid)<br>Universidad Complutense de Madrid\u00a0<strong>\u223c<\/strong> Music\u00f2leg, guitarrista i professor universitari.<\/p>\n<h4>Flamenco i ODS<\/h4>\n<p><strong>Lola Vallesp\u00ed<\/strong>\u00a0(Jerez de la Frontera)<br>El Soniquete de Lola <strong>\u223c<\/strong> Fundadora i\u00a0consultora de Responsabilitat Social Empresarial.<\/p>\n<h4>Una aproximaci\u00f3 al flamenco com a t\u00f2pic nacional espanyol des de la cr\u00f2nica \u00abEspanha\u00bb de Clarice Lispector<\/h4>\n<p><strong>Clara In\u00e9s Galindo<\/strong> (Jerez de la Frontera)<br>Universidad de C\u00e1diz <strong>\u223c<\/strong> Professional en Estudis Literaris i estudiant del M\u00e0ster en An\u00e0lisi i Investigaci\u00f3 del Flamenco. Col\u00b7laboradora de la Red Cultural Distrito Flamenco de Bogot\u00e1 i investigadora independent sobre el flamenco a Llatinoam\u00e8rica.<\/p>\n<h2>16:30\u00a0 |\u00a0 Pedagogia en el Flamenco<br\/><\/h2>\n<a href=\"https:\/\/ciutatflamenco.com\/ca\/edicio-2021\/formulari-2021-ponencies-pedagogia-en-el-flamenco\/\" > INSCRIPCI\u00d3 <\/a>\n<a href=\"https:\/\/youtu.be\/B0ZF9EKIvNg\" target=\"_blank\" rel=\"noopener\"> VEURE EN STREAMING <\/a>\n<h4>El viol\u00ed flamenc: el llenguatge d'int\u00e8rprets actuals<\/h4>\n<p><strong>Cristina Moya<\/strong> (C\u00f3rdoba)<br>Universidad de C\u00f3rdoba <strong>\u223c<\/strong> Violinista i graduada en Educaci\u00f3 Prim\u00e0ria.<\/p>\n<h4>La transcripci\u00f3 en el Flamenco per a instruments mel\u00f2dics<\/h4>\n<p><strong>Sim\u00f3n Fern\u00e1ndez<\/strong> (Zaragoza)<br>Orfe\u00f2 Lleidat\u00e0\u00a0<strong>\u223c<\/strong>\u00a0Professor de flauta flamenco-jazz i m\u00fasica moderna.<\/p>\n<h4>Transcripci\u00f3 i an\u00e0lisi de la nana flamenca<\/h4>\n<p><strong>Guillermo Salinas<\/strong> (C\u00f3rdoba)<br>Consejer\u00eda de Educaci\u00f3n y Deporte de la Junta de Andaluc\u00eda <strong>\u223c<\/strong> Mestre de M\u00fasica, professor superior de Guitarra Flamenca i doctor en Flamenco per la Universidad de Sevilla.<\/p>\n<h4>Interdepend\u00e8ncia del toque digital: M\u00e8tode de picat<\/h4>\n<p><strong>Eduardo Moreira<\/strong> (Boa Vista\/Roraima, Brasil)<br>Universidad Federal de Roaraima <strong>\u223c\u00a0<\/strong>Guitarrista llicenciat en M\u00fasica per la Universidad Federal de Pelotas UFPEL\/RS i M\u00e0ster en Flamenco especialitzat en Interpretaci\u00f3 a l'ESMUC.<\/p>\n<h4>Graus variables i neutres en l'Escala Flamenca<\/h4>\n<p><strong>\u00c1lvaro Guijarro<\/strong> (Madrid)<br>Universidad Complutense de Madrid i Real Conservatorio Superior de M\u00fasica de Madrid <strong>\u223c<\/strong> Pianista, compositor i doctorand en Musicologia.<\/p>\n<h2>Selecci\u00f3 de pon\u00e8ncies<br\/><\/h2>\n<p>Les pon\u00e8ncies han estat seleccionades mitjan\u00e7ant una convocat\u00f2ria oberta el passat mes de maig\u00a0 <a href=\"https:\/\/ciutatflamenco.com\/ca\/edicio-2021\/bases-de-la-convocatoria-2021-ponents\/\">[ bases de la convocat\u00f2ria ]<\/a>.\u00a0<\/p> <h4>COMIT\u00c8 CIENT\u00cdFIC RESPONSABLE DE LA SELECCI\u00d3:<br><br><\/h4> <ul> <li><b>Catedr\u00e8tica Cristina Cruces Rold\u00e1n<\/b> (Universidad de Sevilla).<\/li> <li><b>Dra. Alicia Gonz\u00e1lez<\/b> (Conservatorio de Granada).<\/li> <li><b>Dr. Diego Garc\u00eda Peinazo<\/b> (Universidad de C\u00f3rdoba).<\/li> <li><b>Dr. Francisco Bethencourt Llobet<\/b> (Universidad Complutense de Madrid).<\/li> <li><b>Dr. Pedro Ordo\u00f1ez <\/b>(Universidad de Granada).<\/li> <li><b>Dr. Norberto Torres<\/b> (Universidad de Almer\u00eda).<\/li> <li><b>Dra. Mar\u00eda Inmaculada Matia Polo<\/b> (Universidad Complutense de Madrid).<\/li> <li><b>Dr. Guillermo Castro<\/b> (ESMUC \u2013 Universidad de C\u00e1diz)<\/li> <li><b>David Leiva<\/b> (Director del Festival i Doctorand Universidad Complutense de Madrid).<\/li> <\/ul>\n<img src=\"https:\/\/ciutatflamenco.com\/wp-content\/uploads\/2021\/07\/Onda-corta-316x58.png\" width=\"316\" height=\"58\" title=\"Onda-corta\" alt=\"Onda-corta\" srcset=\"https:\/\/ciutatflamenco.com\/wp-content\/uploads\/2021\/07\/Onda-corta-316x58.png 316w, https:\/\/ciutatflamenco.com\/wp-content\/uploads\/2021\/07\/Onda-corta-211x40.png 211w, https:\/\/ciutatflamenco.com\/wp-content\/uploads\/2021\/07\/Onda-corta-379x71.png 379w, https:\/\/ciutatflamenco.com\/wp-content\/uploads\/2021\/07\/Onda-corta-340x62.png 340w\" sizes=\"(max-width: 316px) 100vw, 316px\" \/>\n<img src=\"https:\/\/ciutatflamenco.com\/wp-content\/uploads\/2021\/08\/tablao-de-musics.jpg\" title=\"tablao-de-musics\" alt=\"Tablao de M\u00fasics\" srcset=\"https:\/\/ciutatflamenco.com\/wp-content\/uploads\/2021\/08\/tablao-de-musics.jpg 600w, https:\/\/ciutatflamenco.com\/wp-content\/uploads\/2021\/08\/tablao-de-musics-300x300.jpg 300w, https:\/\/ciutatflamenco.com\/wp-content\/uploads\/2021\/08\/tablao-de-musics-150x150.jpg 150w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/>\n<h2>Tablao de M\u00fasics<br\/>Concert de cloenda<\/h2>\n<p>Emoci\u00f3, joventut i creativitat es trobaran en aquesta formaci\u00f3 que retr\u00e0 un merescut homenatge a les figures que han forjat i han marcat les pautes del flamenco. El repertori est\u00e0 inspirat en els estils m\u00e9s representatius del g\u00e8nere com sole\u00e1s, alegr\u00edas, tangos, seguiriyas, buler\u00edas\u2026<\/p> <p>Una proposta que ens presenten les futures promeses flamenques de les files del Taller de M\u00fasics.\u00a0<\/p> <p><strong>Irene Ribas<\/strong>\u00a0\u00b7 cante<br><strong>Patricia Garc\u00eda<\/strong>\u00a0\u00b7 cante<br><strong>Diego G\u00f3mez<\/strong>\u00a0\u00b7 guitarra<br><strong>Pau Dom\u00e8nech\u00a0<\/strong>\u00b7 guitarra<br><strong>\u00c1lvaro L\u00f3pez\u00a0<\/strong>\u00b7 caj\u00f3n<\/p>","_links":{"self":[{"href":"https:\/\/ciutatflamenco.com\/ca\/wp-json\/wp\/v2\/pages\/3705","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ciutatflamenco.com\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ciutatflamenco.com\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ciutatflamenco.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ciutatflamenco.com\/ca\/wp-json\/wp\/v2\/comments?post=3705"}],"version-history":[{"count":52,"href":"https:\/\/ciutatflamenco.com\/ca\/wp-json\/wp\/v2\/pages\/3705\/revisions"}],"predecessor-version":[{"id":5888,"href":"https:\/\/ciutatflamenco.com\/ca\/wp-json\/wp\/v2\/pages\/3705\/revisions\/5888"}],"up":[{"embeddable":true,"href":"https:\/\/ciutatflamenco.com\/ca\/wp-json\/wp\/v2\/pages\/3583"}],"wp:attachment":[{"href":"https:\/\/ciutatflamenco.com\/ca\/wp-json\/wp\/v2\/media?parent=3705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}